User Login

Featured Artist

Froth

 

Below is just some of my artistic endeavors. I am a portrait artist who works in colored pencil and graphite. I write and illustrate a comic strip: Sunny and Gloom. I write miscellaneous things that may or may not become something more. I doodle. I draw flowers in colored pencil. I draw tattoo designs mostly tribals though I have done others as well.

Who's Online


Home
On Drinking a Bottle of Arrogant Bastard Ale PDF Print E-mail
Written by Zach Elwood   
Tuesday, 15 April 2008

 

 

 

Citrus notes within the dark hoppy hove, I tongue the bulging hood
of foam,
love becomes the tracing of the fine, rare sweet milk
embittered by the ancient retainer, the oracle, temple-whore, of secrets
.----A star upon her back----.

The bovine god of darkness, demiurge of violence, creation,
could not compare with me, as my superfaciaes engorge:
and darkest bitters become the forge.

 

 

Only registered users can write comments.
Please login or register.


Quote this article on your site | Views: 223

  Be first to comment this article

Powered by AkoComment Tweaked Special Edition v.1.4.6
AkoComment © Copyright 2004 by Arthur Konze - www.mamboportal.com
All right reserved

Last Updated ( Tuesday, 15 April 2008 )
  No Comments.
Discuss this item on the forums. (0 posts)
< Prev   Next >

Newsflash

Bigger Trees near Warter

 

David Hockney has given Tate his largest painting, Bigger Trees near Warter. This is one of the most generous gifts presented by an artist to a UK gallery in recent years. The Hockney is over 12 metres long and 4.5 metres high, which probably makes it the biggest painting ever done in the open air. Painted in oils, it comprises 50 separate canvases, hung together. The view is of a copse outside Bridlington, in Yorkshire, which is now Hockney’s main home. Bigger Trees near Warter was painted just over a year ago, before the arrival of spring leaves. In June it went on public view, at the Royal Academy’s Summer Exhibition, where it took up a whole wall in the largest gallery. The work was widely regarded as the star of the show. The RA presentation also coincided with Tate Britain’s exhibition on “Hockney on Turner Watercolours”, and conversations between the artist and the gallery eventually led to the donation.

 

For more information about this article, please check www.theartnewspaper.com

 

 
© 2008 theworldartistnetwork.org